SuperEQ ======= **Equalization** (British: equalisation, **EQ** for short) is the process of adjusting the balance between frequency components within an electronic signal. The most well known use of equalization is in sound recording and reproduction but there are many other applications in electronics and telecommunications. The circuit or equipment used to achieve equalization is called an equalizer. These devices boost or cut the energy of specific frequency bands. (source: wikipedia: `Equalization`_) **SuperEQ** (Shibatch Super Equalizer) is a `graphic equalizer`_, originally created as a plugin for Winamp by `Naoki Shibata`_. **SuperEQ** uses 16383th order `FIR`_ filters using `FFT`_. Its equalization is very precise. Note that unlike traditional equalizers, there is very little `roll-off`_ or overlap between the bands. Syntax and Parameters ---------------------- :: SuperEQ (clip, string filename) SuperEQ (clip, int band1 [, int band2, ..., int band18]) .. describe:: clip Source clip. Supported audio sample types: 32-bit float. Use :doc:`ConvertToFloat ` if necessary. .. describe:: filename Set EQ bands from a preset file (see `Preset Files`_ below). .. describe:: band1, ..., band18 | Set EQ bands within your script (see `Band Gain Arguments`_ below). | The 18 bands cover the following frequency ranges: .. table:: :widths: 30 35 35 ========= ========== =========== Band # f (low) f (high) ========= ========== =========== 1 0 Hz 65 Hz 2 65 Hz 93 Hz 3 93 Hz 131 Hz 4 131 Hz 185 Hz 5 185 Hz 262 Hz 6 262 Hz 370 Hz 7 370 Hz 523 Hz 8 523 Hz 740 Hz 9 740 Hz 1047 Hz 10 1047 Hz 1480 Hz 11 1480 Hz 2093 Hz 12 2093 Hz 2960 Hz 13 2960 Hz 4186 Hz 14 4186 Hz 5920 Hz 15 5920 Hz 8372 Hz 16 8372 Hz 11840 Hz 17 11840 Hz 16744 Hz 18 16744 Hz 22000±Hz ========= ========== =========== | Frequency ranges apply to both *.feq* preset files and the ``band`` arguments. | (Adapted from AviSynthPlus/plugins/Shibatch/`supereq.h`_ ) Examples -------- Below are examples and additional information on how to use ``preset`` files and the ``band`` parameters. Preset Files ^^^^^^^^^^^^ **SuperEQ** can accept a `foobar2k`_ equalizer Preset (.feq) file. Foobar's equalizer can be found in the `DSPManager`_, and presets are adjusted and saved from there as well. A Preset file is a text file with a positive or negative integer on each line. Nothing else is allowed on the line, except white space. Empty (blank) lines are ignored. Each line sets the gain in decibels for a frequency band. All text after the first 18 non-empty lines is ignored, allowing you to add comments to the file. Preset files can be found in your \\AviSynth+\\Examples folder or `here`_, or may be found by searching the Web for "foobar2000 presets." **Example 1**: *Using a Preset file*:: SuperEq("C:\Equalizer Presets\Loudness.feq") Contents of Loudness.feq:: 4 4 4 2 -2 -2 -2 -2 -2 -2 -2 -4 -10 -7 0 3 4 4 *comment* (text after the first 18 non-empty lines will be ignored) To give a very rough indication of the frequency response of the above example, here is a screenshot of an `Audacity`_ spectrum analysis of processed `white noise`_ (which should be approximately flat without equalization, allowing for low-frequency variability). .. image:: pictures/supereq-loudness-586x512.png Band Gain Arguments ^^^^^^^^^^^^^^^^^^^ ``Band`` gain arguments allow all 18 bands to be set within your script, instead of requiring a *preset file*. The values are specified in decibels (in integer format). **Example 2**: *Boost midrange (speech) using* ``band`` *arguments*:: ConvertAudioToFloat() SuperEQ( \ 0, [* 0 - 65 *] \ 0, [* 65 - 93 *] \ 0, [* 93 - 131 *] \ 0, [* 131 - 185 *] \ 0, [* 185 - 262 *] \ 0, [* 262 - 370 *] \ 0, [* 370 - 523 *] \ 5, [* 523 - 740 *] \ 10, [* 740 - 1047 *] \ 10, [* 1047 - 1480 *] \ 10, [* 1480 - 2093 *] \ 5, [* 2093 - 2960 *] \ 0, [* 2960 - 4186 *] \ 0, [* 4186 - 5920 *] \ 0, [* 5920 - 8372 *] \ 0, [* 8372 - 11840 *] \ 0, [* 11840 - 16744 *] \ 0 [* 16744 - 22000± *] \ ) Normalize() ## avoid possible overload ConvertAudioTo16bit() To give a very rough indication of the frequency response of the above example, here is a screenshot of an `Audacity`_ spectrum analysis of processed `white noise`_ (which should be approximately flat without equalization, allowing for low-frequency variability). .. image:: pictures/supereq-midboost-586x510.png Changelog --------- +------------------+------------------------------------------------------------------------+ | Version | Changes | +==================+========================================================================+ | AviSynth+